Hmmm. I'm surprised more seasoned members of this forum haven't fielded this one yet. You guys slippin'?
Well, if the pictures our very own Whipcrack snapped at the exhibit in Chicago are to be believed, (see that thread for details,) then it looks like a brown fall with a black or dark brown popper to me.
This is Whipcrack's most telling picture on that subject:
http://www.theindyexperience.com/image/ ... hibit5.jpg
Bear in mind that this might not be entirely accurate, or entirely wrong either. The character Indiana Jones might have only had one whip through all of his adventures, (though we can debate on Belloq taking the whip in South America, Indy losing it under the truck in Cairo, and Katanga throwing it overboard or shipping it back to him,) but he's had to do some maintainance on it. Indy is hard on his whips: Swinging from them, carrying them into the most hostile climates, smacking them against hard objects like Egyptian statues, guns, swords, knives, arabs, dragging them behind vehicles, swimming with them, lashing himself to periscopes. He's HAD to have replaced more than one fall on that thing!
I doubt that Indy was really picky on the subject. If he had tan hide, he'd do a tan hide fall. If it was white, well... Same with poppers. He's not neurotic with his "Signature" equipment like the Lone Rangers, (every bullet that I fire MUST be made of silver!) His equipment is generally unwavering because he knows it and trusts it. It's comfortable. Yeah, we're all into the iconography, and about getting the bash in the fedora "just right" and the shirt and pants and boots and gloves. Indy wasn't. It was whatever worked for him, and the hat, jacket, whip, and gas mask bag worked.
Plus, realistically, with all the different whips used in all the films, (spares, whips for stunt doubles, different lengths for different scenes, cable-cored, sewn into the holster, etc.) plus general maintanance that would have to be done to whips, (broken falls, blown off poppers, etc.) the inconsistancies in the prop department, (different prop assistants, etc. for different locations, errors in continuity that we talk about in other threads,) and Dave Morgan making changes to his designs over the years that the films were produced, (also that with Dave's age, one of the only things consistant is the quality of his work.) It's hard to tell that if you were to miraculously get a chance to compare every whip to appear in every film that they would truly all be the same.
So I say, get what you think looks best for you.
I'm personally going to go with a white hide fall and probably a white nylon popper, though I may spring for some of Mark Allen's more expensive black upholstery thread poppers that sound like a shotgun and last forever. I'm going with white as I'm pseudo planning to use the whip in a couple little movie projects I'm tinkering with, and the white will show up better on video, (if I can get my shutter speed high enough so you can actually SEE it moving.) That will be on an 8 foot Indy-style Paul Nolan or Joe Strain. Buying in October with cash from a freelance gig I have planned then. Possibly sooner, pending discussion with The Missus, (due home from 2 months of documentary work in Indonesia tomorrow. YAY!)