New interview with Deborah Landis
Posted: Tue Feb 17, 2009 9:15 am
I rented the Indy Fan dvd this last weekend, mostly out of curiousity. I was pleased to find a short interview with D. Landis of Raiders fame. What she said added to my knowledge of the creation of the Raiders fedora. Some interesting tidbits.......
1) Harrison tried on a plethora of fedoras at B and N, in London. Deb stated how one must try on many hats to find one that fits the face, or in this case, Harrsions long, thin face.
2) She then went to HJ, to find a hat that she apparently had a vision of in her mind. Upon arriving at HJ, she found that all of the brown fedoras were Borsalino or Italian styled fedoras, with not enough brim.
3) She settled upon a classic Aussie styled hat, with the brim turned up on one side, as is typical of this style of hat. She chose it because it had a broad brim, that she could cut down to what she was after. This was apparently to be the prototype, and once she(they, HJ) had the hat bespoked(custom made) this prototype was used to replicate the order for the film.
4) It was obvious to me she was unclear on whether or not they reduced the crown height to match her vision of this fedora.
5) She specified that the film hats were not to have the holes associated with probably vents, and the place where the chin straps came through the brim, which says to me, that the Aussie hat was not used for the film hats, but only for the prototype.
6) She never mentioned the dimesional cut.
In the end, I was left with more questions, but I realize that since she never knew this was to be an iconic hat, her memory is probably kinda unclear. It was just another hat, for a B movie.
If we go by Mr. Swales account, they then used a Poet as a basis for creating the hat from the prototype. The big question to me is, since the Poet we know is not even close to the crown shape on an Aussie hat, what did they do to get it there? Reblock? That would be logical. And if so, I would assume the shop had blocks, the way that Locke did. And unlike the following film hats for the next two films, this first hat was indeed a bespoke hat, while the other two were clearly made at some factory. And this is the difference between the Raiders fedora and what followed.
After I listend to the interview for about 20 times, I came away with more questions than the interview answered. Of course, she probably had no clue as to what the shop did to replicate the film hats for Raiders.
She went to France with only one hat and one jacket, and the rest had not been made yet.
I think the biggest thing I learned was that the prototype was indeed a true Aussie hat, with a wide brim, but they don't use grosgrain ribbons on those hats! He earlier comment of it having a wide ribbon (which I took to be a wide grosgrain) doesn't make sense, as she knows the difference.
Fedora
1) Harrison tried on a plethora of fedoras at B and N, in London. Deb stated how one must try on many hats to find one that fits the face, or in this case, Harrsions long, thin face.
2) She then went to HJ, to find a hat that she apparently had a vision of in her mind. Upon arriving at HJ, she found that all of the brown fedoras were Borsalino or Italian styled fedoras, with not enough brim.
3) She settled upon a classic Aussie styled hat, with the brim turned up on one side, as is typical of this style of hat. She chose it because it had a broad brim, that she could cut down to what she was after. This was apparently to be the prototype, and once she(they, HJ) had the hat bespoked(custom made) this prototype was used to replicate the order for the film.
4) It was obvious to me she was unclear on whether or not they reduced the crown height to match her vision of this fedora.
5) She specified that the film hats were not to have the holes associated with probably vents, and the place where the chin straps came through the brim, which says to me, that the Aussie hat was not used for the film hats, but only for the prototype.
6) She never mentioned the dimesional cut.
In the end, I was left with more questions, but I realize that since she never knew this was to be an iconic hat, her memory is probably kinda unclear. It was just another hat, for a B movie.
If we go by Mr. Swales account, they then used a Poet as a basis for creating the hat from the prototype. The big question to me is, since the Poet we know is not even close to the crown shape on an Aussie hat, what did they do to get it there? Reblock? That would be logical. And if so, I would assume the shop had blocks, the way that Locke did. And unlike the following film hats for the next two films, this first hat was indeed a bespoke hat, while the other two were clearly made at some factory. And this is the difference between the Raiders fedora and what followed.
After I listend to the interview for about 20 times, I came away with more questions than the interview answered. Of course, she probably had no clue as to what the shop did to replicate the film hats for Raiders.
She went to France with only one hat and one jacket, and the rest had not been made yet.
I think the biggest thing I learned was that the prototype was indeed a true Aussie hat, with a wide brim, but they don't use grosgrain ribbons on those hats! He earlier comment of it having a wide ribbon (which I took to be a wide grosgrain) doesn't make sense, as she knows the difference.
Fedora